They went to sleep,” according to the sheriff’s office news release.Īt around 11 a.m. Neither husband nor wife asked each other if they had brought the victim inside. “He went inside and laid down in bed with his wife. He said he thought Jazmine had brought the child inside, Judd said. Joel said the car doors were open as he brought food trays into the home, then he noticed the back door of the car was shut when he was done. on Wednesday, Polk County Sheriff Grady Judd said in a news conference Thursday.Īccording to Judd, Jazmine took the older children – ages eight and six – into the home, telling Joel to bring the baby into the home. early next morning, according to a news release from the Polk County Sheriff’s Office. Joel and Jazmine Rondon, both 33 and residents of Lakeland, went to a Fourth of July celebration with their three young children and didn’t return home until roughly 3:00 a.m.
WATCH THREE DAYS TO KILL MOVIE
The movie never finds a way to blend the emotional and the rat-a-tat-tat into one seamless package the way that Besson did in his one and only good movie, The Professional (1994).A Florida couple has been charged with aggravated manslaughter in the death of an 18-month-old girl who died after being left in a hot car overnight following a Fourth of July party, police said. Did I mention that he’s also suffering from brain cancer and has about three months to live? (Unless the experimental cure that Vivi attempts to bribe him with works.) That’s enough extraneous situations to sap the life out of any thriller, and 3 Days to Kill turns out to be an incredibly annoying movie in which Costner, each time he’s about to duct-tape some guy’s mouth shut, has to stop to answer his cell phone, which rings with Icona Pop’s Swedish disco-punk bauble ”I Love It” (” I! Don’t! Care!”) to let him know that his daughter is calling and that he has to take a break from the action to act like a good daddy again. Ethan, it turns out, has a teenage daughter (Hailee Steinfeld) who he reunites with after having spent most of her life ignoring her an ex-wife he lied to about being in the CIA (that’s why they separated) an apartment in Paris that’s being occupied by a family of lovable squatters from Mali and a cold that gives him a persistent cough. Now he just has to find a movie worthy of him.īy this point, you think you more or less know what sort of formula 3 Days to Kill is peddling, but the movie just gets worse. He’s 59 now, and whatever it took, it’s good to have that Costner back. Lean and tapered, he looks like he’s been to the hair specialist, and he has basically returned to being a creased version of his old handsome self. In 3 Days to Kill, he is back in fighting form. It was a tough little gem of a performance.
Playing a hard-bitten construction worker with a chip on his shoulder about pampered corporate guys who lose their jobs (like, say, the movie’s hero, played by Ben Affleck), Costner, who really looked like he’d gone to seed (paunch, jowls, thinning hair shorn down to an unflattering buzz cut), used that look - and his weary-wise contempt - to communicate what a lifetime of honest hard labor can do to a man.
The comeback really started, I think, in 2010, when he landed a key supporting role in the hard-times economic drama The Company Men. Kevin Costner deserves the comeback he’s now going for, and if you watch the preposterous CIA potboiler 3 Days to Kill, forget about the movie and just focus on the actor, and you’ll see why.
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